Prompaty

Pose Positions

How a subject stands, sits and holds themselves. Every keyword shows its own picture beside a plain description — tap an image to see it up close.

Showing 25 of 25

  • Front-Facing Pose — A front-facing pose aligns the chest and shoulders directly toward the camera for a straightforward, symmetrical presentation
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    Front-Facing Pose

    A front-facing pose aligns the chest and shoulders directly toward the camera for a straightforward, symmetrical presentation.

  • Three-Quarter Pose — A three-quarter pose rotates the torso about forty-five degrees from the camera while keeping much of the face visible
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    Three-Quarter Pose

    A three-quarter pose rotates the torso about forty-five degrees from the camera while keeping much of the face visible.

  • Side-On Pose — A side-on pose turns the torso approximately ninety degrees to the camera, emphasizing the body’s outline
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    Side-On Pose

    A side-on pose turns the torso approximately ninety degrees to the camera, emphasizing the body’s outline.

  • Back-Facing Pose — A back-facing pose directs the subject’s back toward the camera, sometimes revealing the face through a slight turn
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    Back-Facing Pose

    A back-facing pose directs the subject’s back toward the camera, sometimes revealing the face through a slight turn.

  • Standing Pose — A standing pose keeps the body upright on both feet and can communicate confidence, ease, or formality
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    Standing Pose

    A standing pose keeps the body upright on both feet and can communicate confidence, ease, or formality.

  • Seated Pose — A seated pose places the subject on a chair, stool, bench, or ground while maintaining intentional posture
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    Seated Pose

    A seated pose places the subject on a chair, stool, bench, or ground while maintaining intentional posture.

  • Leaning Pose — A leaning pose supports part of the body against a wall, railing, table, or similar surface
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    Leaning Pose

    A leaning pose supports part of the body against a wall, railing, table, or similar surface.

  • Walking Pose — A walking pose captures the subject mid-stride to introduce natural movement, direction, and energy
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    Walking Pose

    A walking pose captures the subject mid-stride to introduce natural movement, direction, and energy.

  • Kneeling Pose — A kneeling pose places one or both knees on a surface, creating a lower and more compact silhouette
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    Kneeling Pose

    A kneeling pose places one or both knees on a surface, creating a lower and more compact silhouette.

  • Crouching Pose — A crouching pose lowers the body by bending the knees while the feet continue supporting the subject
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    Crouching Pose

    A crouching pose lowers the body by bending the knees while the feet continue supporting the subject.

  • Contrapposto — Contrapposto shifts most body weight onto one leg, causing natural opposing angles through the hips and shoulders
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    Contrapposto

    Contrapposto shifts most body weight onto one leg, causing natural opposing angles through the hips and shoulders.

  • Crossed-Leg Pose — A crossed-leg pose places one leg across the other while standing or seated, creating compact, angled lines
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    Crossed-Leg Pose

    A crossed-leg pose places one leg across the other while standing or seated, creating compact, angled lines.

  • Arms-Crossed Pose — An arms-crossed pose folds both forearms across the torso, often conveying confidence, composure, or guardedness
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    Arms-Crossed Pose

    An arms-crossed pose folds both forearms across the torso, often conveying confidence, composure, or guardedness.

  • Hands-on-Hips Pose — A hands-on-hips pose places one or both hands at the waist, opening the elbows and defining the torso
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    Hands-on-Hips Pose

    A hands-on-hips pose places one or both hands at the waist, opening the elbows and defining the torso.

  • Hands-in-Pockets Pose — A hands-in-pockets pose rests one or both hands inside clothing pockets for a casual, contained gesture
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    Hands-in-Pockets Pose

    A hands-in-pockets pose rests one or both hands inside clothing pockets for a casual, contained gesture.

  • Hands-Clasped Pose — A hands-clasped pose joins the hands gently in front of or behind the body for a composed gesture
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    Hands-Clasped Pose

    A hands-clasped pose joins the hands gently in front of or behind the body for a composed gesture.

  • Hand-at-Chin Pose — A hand-at-chin pose brings one hand near the jaw or chin, suggesting thoughtfulness while framing the face
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    Hand-at-Chin Pose

    A hand-at-chin pose brings one hand near the jaw or chin, suggesting thoughtfulness while framing the face.

  • Arms-at-Sides Pose — An arms-at-sides pose lets both arms hang naturally beside the torso, creating an open, neutral stance
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    Arms-at-Sides Pose

    An arms-at-sides pose lets both arms hang naturally beside the torso, creating an open, neutral stance.

  • Head-Tilt Pose — A head-tilt pose angles one ear slightly toward a shoulder, adding gentle asymmetry and visual warmth
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    Head-Tilt Pose

    A head-tilt pose angles one ear slightly toward a shoulder, adding gentle asymmetry and visual warmth.

  • Chin-Down Pose — A chin-down pose lowers the chin slightly toward the chest while maintaining length through the back of the neck
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    Chin-Down Pose

    A chin-down pose lowers the chin slightly toward the chest while maintaining length through the back of the neck.

  • Direct-Gaze Pose — A direct-gaze pose points both eyes toward the camera, creating immediate visual connection with the viewer
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    Direct-Gaze Pose

    A direct-gaze pose points both eyes toward the camera, creating immediate visual connection with the viewer.

  • Off-Camera Gaze — An off-camera gaze directs the eyes beyond the frame, suggesting attention, reflection, or an unfolding moment
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    Off-Camera Gaze

    An off-camera gaze directs the eyes beyond the frame, suggesting attention, reflection, or an unfolding moment.

  • Over-the-Shoulder Gaze — An over-the-shoulder gaze turns the head back toward the camera while the torso faces partly or fully away
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    Over-the-Shoulder Gaze

    An over-the-shoulder gaze turns the head back toward the camera while the torso faces partly or fully away.

  • Staggered Group Pose — A staggered group pose places people at different depths or heights so faces remain visible and the arrangement feels dynamic
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    Staggered Group Pose

    A staggered group pose places people at different depths or heights so faces remain visible and the arrangement feels dynamic.

  • Triangular Group Arrangement — A triangular group arrangement positions faces or bodies at three broad levels, creating a stable, cohesive composition
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    Triangular Group Arrangement

    A triangular group arrangement positions faces or bodies at three broad levels, creating a stable, cohesive composition.

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